I began making murals soon after I began working with clay. The early ones, as usual, began with thrown elements (enclosed rings, small cups and spheres), as will be seen in the ‘starswarm’ and ‘landscape‘ pieces.

I also began making tiles, which could be used for fireplaces, etc.

bison, 1974, textured clay tiles mounted on cedar backing, 95 x 126 cm, glazed, ∆10.

landscape, 1976, clay tiles and thrown elements mounted on cedar backing, 96 x 122 cm, glazed, ∆10.

starswarm I, 1976, clay wall mural, 61 x 122 cm, composed of all thrown elements.

starswarm 2, 1976, clay wall mural, 122 x 165 cm, composed of all thrown elements.

horse, 1976, clay wall mural, 61 x 82 cm, clay tiles, iron oxide.

rock formation, 1976, wall mural, 183 x 70 cm, clay tiles mounted on plywood, ∆10. This was made by laying out a slab of clay and adding various shapes and thicknesses to it, then slicing it into tiles.

the arts, 1977, maquette for a large mural competition for the Northern Alberta Jubilee Auditorium in Edmonton, 38 x 66 cm, unglazed, iron oxide rub, ∆10. I didn’t win.

swirl, 1979, wall mural, 61 x 82 cm, clay tiles, glaze. Here, stiff clay was extruded, causing it to curl and crack. The extrusions were then added to a base clay pad, then cut into tiles.

cave bison, 1984, clay tiles, 77 x 89 cm, glazed, iron oxide rub, ∆10.

beach, 1986, porcelain, 29 x 46 cm, mounted on black plexiglass. A thin slab of clay is manipulated into the image, dried, glazed and fired to cone 04.

sheet, 1986, porcelain, 27 x 43 cm, mounted on black plexiglass. The image was sprayed with pink underglaze, then with a transparent glaze and fired to cone 04.

view west, 1988, wall mural, 61 x 127 cm, clay tiles mounted on plywood, ∆04. This mural was made by spraying glazes on commercial tiles then re-firing them. It was one of two I made for a commission, of which I got to keep, because the buyer took the other one, of which, unfortunately, I have no image.

kitchen florals, 1991, a commission using plain white commercial tiles that I decorated and re-fired to ∆04.

evolution venus to barbie, 1995, clay wall sculpture, 44 x 57 cm, figures mounted on a backing of clay mixed with perlite, fired to cone 04. I got to wondering about the perception of the female body over the eons and decided to compare the Venus with the modern day Barbie.

evolution, detail Venus of Willendorf, 1995, stoneware, 17 cm high. Modelled after a fertility figure estimated to be made around 30,000 BCE, discovered in 1908 near Willendorf, Austria.