In the fall of 1978 I built a large arched sculpture I called, convoluted arch. It was part of an investigation of the arch as a Jungian archetypal symbol.
I expanded that quest while attending a workshop at The Banff Centre in 1981, making a few small clay slab ‘environments’, peopled with small, pinched clay arches (pictured in the previous section).
Wishing to expand on that idea, I developed an exhibition of larger ‘environments’, tied together by two themes: ‘ancient’ architecture and rituals/ceremonies. Rather than glaze, I sprayed them with a salt solution, which turns a toasty orange in the firing.
Instead of making little clay arches to populate these ‘environments’, I used fence staples, which were fired in place.
The pieces were shown in March of 1982 at the Muttart Gallery, Calgary and in October 1982 at Bearclaw Gallery in Edmonton.