From the beginning of my career as a ceramist, I investigated different throwing techniques, working mostly with stoneware clay fired to cone 10 (2380° F, 1304° C). I also experimented with glazes and glaze combinations to come up with unique designs.
In 1980 we moved to High River, AB, where we found a property with a large garage that I converted into a new, studio and built two gas-fired kilns, I began to try tricky copper red glazes, which require careful reduction of oxygen entering the kiln’s atmosphere during various phases of the firing. Eventually, for brighter glaze colours, especially the reds, I turned to a white porcelaneous clay, or sometimes a full porcelain, for most of my utilitarian work.
I gradually developed several repeatable designs that became popular: the ‘mountain scene’ design (rather laborious to apply); the ‘red flower’ design, using brushed copper red glazes, a similar, but larger red flower ‘hibiscus’ design, and others. Those many pieces paid the mortgage and left me some time to do sculpture and other non-utilitarian work.